moustache x = only hits for those who want to be credible. don t play this under 15 years old.

one of the founding members of apollonia, shonky was responsible for his label’s very first release back in 2012 with ‘the minneapolis touch’. outside of working on the trio’s debut lp ‘tour a tour’, shonky has been relatively quiet on the solo tip. here on apollonia’s 25th release we’re treated to four new cuts from the berlin-based parisian, kicking off with plombie&#768,,re (plumber in english). shonky injects a variety of unusual sounds, which revolve around a jaunty bassline, while voices dip in and out of the background, repeating the mantra ‘house music’ together with other difficult to decipher vocal clips. the track has a catchy rhythm that bounces along with aplomb. up next ‘house me’ is a sleazy, mischievous cut with a deadly low end and a seductive vocal that urges you to ‘house me’. as the bassline rumbles, high pitched effects add a hypnotic element to the track. badboy business.on the b-side we have ‘perchee’, which is powered by cleverly layered percussion, which is almost ‘live’ sounding. another one of those ‘shonky’ basslines gets us straight into the groove, with utterly contagious beats – this is one to shake the dance floor down its core. finally, ‘cosmopolis’ has that inner city realness flowing through with the chatter of a street corner in the background, a killer b-line and one of those classic vocal samples that is oh so familiar and gets you nodding your head as soon as you hear it. and there it is, four dance floor cuts with plenty of depth and groove in true shonky style… c est formidable!

nice price - all tracks written and recorded by gordon sharp and matt kinnison between 2006–2011 at roi vert, okamoto (japan), 13th floor and space eko (london), southend (essex)... mastered at piethopraxis, june 2011. cut by rashad becker at dubplates & mastering, berlin, june 2011. hold everything dear is the third instalment in the new cindytalk sound which started with 2007s the crackle of my soul, and then last years up here in the clouds. its the first in the trilogy to feature musicians other than gordon sharp namely the late matt kinnison, to whom the album is dedicated. inspired by the john berger book of the same name, this latest release is whole new set of parameters which push the sound on the previous two works to an extreme point of abstraction, and in some places near silent passages and haunted melodic segments. and what a mysterious journey this ends up being with increased use of piano and found/field recordings giving all the tracks a blurry soundtrack appeal to the point where the definitions between the tracks are no longer clearly defined. it harks back to the odder parts of in this world and the wind is strong albums from the early 1990s

amazing 2 monstruous tracks taken straight from the basement from one of the most original, ultimate & cult house producer : the great marcus mixx !!! all the djs were looking for those for tracks for years. it’s a fuckin’ must have & it’s on your favorite label : skylax

nice price deal !!! this ep is the culmination of over a decade of research into the hidden mysteries that dictate the workings of the power structure of the world we live in. the vocals reference situations and phenomenon hiding in plain sight. the matrix is real, and for those wishing to know more this ep is n essential guide. a1- is future modern aaacid house in ¾ time. the odd time signature works in unison with the phrenetic pastor manning telling it like it is with regards to the corrupt us president. the worst in the history of the entire nation. a2 - references jose’s delgato’s mind control experiments and the fact that this technology exists and is in use today. the track was made using the advanced mathematical scheme known as the golden ratio to achieve maximum “pleasure response” from those listening and dancing to it. b1 - emotive chord work along with a huge rolling bass line set the stage for redsilverj’s vocals about the 2 types of people with regards to the new world order. those who will sell out, and those who will wake up. period! lots of changes, melodies, and counter melodies work to make this the most beautiful sounding cut on the record. lush deep house. b2 - the deepest darkest house. ominous almost foreboding chords lay a murky foundation that quickly unfolds like a ghostly mist. the vocals are about the artificial womb phenomenon and the fact that humans will react and be treated like cattle by the elites. late late night deep banging higher consciousness house.

killer old school analogue hardware jacking acid tracks by perseus traxx by this bunker artist. expect those raw bunker/acid planet vibes on this new barba release! recommended!

from the jagged electro tinged “seattle city light”, through the drifting hazy levels of “blacked” and “pisces” to the kicked back paradise of “untitled monday”, rudolf serves up a masterclass in blissed out backyard house. undulating juno soundscapes and warbling 303s merge seamlessly with roughed up rhythms punched through the mpc. this one’s for the heads on the dusty trail, the midnight drive, and the pacific swells. those in the back seat with the window down and the feet up...

we are proud to present christian nielsen s debut release on noir music. noir and christian has been friends for many years and therefore we have been following the danish talent closely and waited for the perfect time and the perfect tracks to create his first release on the label. so....here it is..... “over and over” sits right in between tech and techno with those irresistible vocals that s become christian s signature. on “speeding” mr. nielsen digs a little deeper and the result is a fantastic technogroover which roots back to early detroit underground. we recommend you give in and play both.

those who preordered, do not have to do so again, we will contact you when we have stock! glenn underground debuts on deepartsounds with a thing of beauty. ltd 12inch check! contact (nova) is a high energy funky eclectic 2am dancefloor song with epic strings and it comes in two versions. this is the purest example of what soulful dance floor music is about.

lp in gatefold printed on uncoated paper and includes cd. the cd included in the lp version features the 12 tracks of the album in the same order. since the release of the album catapulte in 2013, media have been used to describing chevalrex music as miniature symphonies. for this album, rémy poncet, the handyman that plays himself all the instruments, writes his own lyrics and even makes his own cover, has decided to keep the same path but meanwhile, has grown in melodic power and maturity. i finally let my teen life behind, and from now on, offer me some peaks he sings in aussi loin. with this new release, there is reason to wager that chevalrex will be one of the future pearls that will be used as a reference for those who will venture out on the roads of french pop

they are back with the second chapter! its dustin zahn & emmanuel…just two rogues on the kings highway. following in the footsteps of >man worships power<, the record is comprised of two peak-time techno tracks offering zero compromise. the deeper inside cuts are reserved for those moments when you are >in the zone< and nothing else matters. early support from adam beyer, joel mull, answer code request, truncate, and anthony parasole.

those disco specialists at to rack & ruin are back in business, kicking off their 2016 campaign with an absolute scorcher from moscovite producer phil gerus. after making waves with a string of releases for the likes of futureboogie and sonar kollektiv, gerus arrives at the mancunian edit institution in fine form, ready to take over the world with a quartet of fully loaded floor movers for all you dancing fools.

in 2015 musician, producer, dj, record collector and tigersushi head honcho joakim played for the first time at mareh festival in boipeba, brasil. like many before him and many since, he found the experience a transformative one. and why not? so many like-minded souls gathered together on a remote island in bahia listening to the sounds of amazing djs while dancing barefoot in idyllic coastal settings all night long. what s not to like? it s quite a concept. in the moment of that experience, joakim vowed to head straight to the studio on his return home to try and recapture that magical vibe, which he did. and true to his word he offered it back to mareh for release on their imprint. a musical gift from the heart. the wonderful percussion and drums characteristic of joakim s productions drift in and around the mix and sit gently alongside the sound of the waves. beautiful arps reach out and capture the glittering stars at night and the first glorious sign of light at sunrise as the party continues. underneath everything the bassline continues to punch through, blending primeval carnival vibes with an electronic sensibility. lovingly mastered and beautifully pressed onto 10 inch vinyl in manila covers, this limited edition release is worthy of any record collection. it also represents a little piece of the magic that is boipeba, and will certainly fit perfectly into those balearic and adriatic settings too.

nice price deal !!! dani sicilianos latest album is self-titled for a reason, it represents a personal statement crafted by danis own hand - feeding off her accomplished past in experimental pop and electronica and reaching to new tones and timbres in a celebration of musical liberation. culminating eight years of songwriting, production research and sonic exploration, circus company is proud to present dani sicilianos third solo album.

a surprising collaboration between mannella and the uk technos bearer - blawan- that clearly establish a deep techno-space, where the quirky sounds are free to be developed and created. right from the very first second of the dark breeze, which spreads a fluid, echoing and fickle synth, we can hear those fuzzy noises that mannella loves to use. a perfect combo is given by the presence of intense drums, thorough pads and harped synths: a total head-trip that flows in the whole ep. then, with i know you are a cheerful air gain the upper hand, leading it to be theperfect dance floor track. even if is just the second release, its pretty explicit the aim that the label has come to play in music today.

defined as an independent entity, drawing its inspiration from the deconstructed walls of an imaginary and utopian society where music is king and artist is servant, forsaken cell is a paris and lyon based structure composed of a small ravers community, aimed to show an indie, radical and experimental face of the french underground scene.the third release is the introduction of jiman into the forsaken cell. living near lille, a french city located between berlin and detroit, jiman makes a perfect mixture of those two towns that are his two main influences, focusing on the grainy, harsh, metalic and experimental sound of early 90s techno, with a relish of poetry, smoothness and a slight broken side of idm. his debut ep on the label is composed of 5 tracks that draws on the vinyl groove his long trip into the abyssal deepness of techno music, smelling an uncompromising industrial and raw atmosphere. the artwork, released by lexpo-studio, makes many senses and is opened to many interpretations. this ep is mastered by loop-o at calyx mastering and is available on forsakencell.com.

you can actually hear, in each one of those 16 tracks, how much fun he s having, playing with your mind.

henry street (named after brooklyn homeboy johnny’s neighbourhood) always had a ‘newyork’ vibe, and even when drawing its producers from further afield, the label encapsulated the city’s melting-pot of talent and raw, bristling energy... energy captured here, and exploding off these remasteredt racks like it’s 1999 all over again!so... dust off those dancing shoes, and get ready to feel the heat, it’s one more time for the henry street hustle!

here at control room recordings we feature analog only synthesizer recordings and one off and special projects. our last release was from the human league and we are pleased to be following that up with another titanic group from the 80s visage. following the tragic death of steve strange in feb 2015 visage and steve strange s family are planning a series of events to honour steve s life and commemorate the impact that he made on the worlds of fashion, music and style. one of those events is the fifth and final studio album from visage. as a bridge between the highly successful fourth album hearts and knives and this future album we are pleased to be releasing a vinyl only special single.

those familiar with the world of dub disco and modern balearica should know all about layne fox, a san francisco-based producer who has released some killer records over the last decade as part of noted collective 40 thieves. the bay area ensemble has been responsible for some killer records, including gems on rong music and leng, who released their expansive debut album the sky is yours back in 2014. now, fox has decided to go it alone for an outing on magic feet that marks his first solo outing since 2005 s move me under the tuffy alias. its something of a gem, too, effortlessly combining many of his familiar influences with nods towards druggy italo-disco and horizontal pop.

lyssna records is a newly formed label out of stockholm overseen by adam stromstedt, flord king and mohammed al harbiti. two of the founding members, adam and flord, join forces to create a deep, jazzy and delicately put together debut. a1 shakshuka is a track driven by jazzy percussion and soothing chords on top and a slightly off kilter bass groove. a2 det eviga mysteriet straight away hits you with a more hip hop and soul inspired touch with well thought out vocal samples on top of a bouncy beat. flip side starts off with foul a slow pulsating track that is perfect for those late night shifts on the dance floor. finishing off the ep we have mr. tophat s rendition of shakshuka, weird and delightful at the same time, just like a mr. tophat remix should be, blu

this summer will mark the celebration of 5 years for power plant: its more than a label, its also a bold artistic offshoot for la fleur and the artists she nurtures in her electronic garden. and in 2016, those artists include circo loco residents acid mondays, the super-talented jesper ryom, knutsson/berg with acid nord and hot pp newcomer justin massei, who chooses to diss ya. and then of course theres la fleur herself, who offers up the soulful caged exclusively to the power plant 5 years compilation as a reminder of her developing melodic yet underground sound. limited vinyl edition comes with exclusive cover with cut out logo on inside out paper sleeve with matt disco sleeve inside.

london modular alliance is the raw and unpredictable music project from the uk’s best known, dedicated modular synth shop london modular. its members simon lynch, phil ventre and gavin pykerman met through a shared passion in modular synthesisers. impromptu gatherings and jams soon turned into live performances at clubs, festivals and museums. from the hushed environs of the tate modern and v&a to vast sweatboxs such as fabric, bloc, freerotation, weather and berghain, london modular clearly have a flair for all things modular. this year sees a return to bloc weekender as well as new adventures at festivals such as dekmantel. they create an intense live show with a huge setup of self-assembled modular gear. every set starts with one small looping beginning – a patch – and is expanded into a deep sonic landscape. with the use of cables they build unexpected circuits and explore the power of pure electronic sounds without the use of a digital software infrastructure. no laptops, no button pushing, everything is created on the spot using modular synthesizers and is based on live improvisations. overall lma tries to keep its live sets in the dark: unrecorded, off the internet and only for those who are present in the moment. a clear break with the capture-all mentality of the internet age.

bodytrax drops it s second ep of 2016 with another essential 3-tracker from bodyjack. laugh it up opens things up and we are in vintage bodyjack territory from the outset. rough (and we mean rough!) beats and percussion, vocal hook and a metallic riff combined with possibly his ugliest bass line to date to make this an essential addition the bag/crate of any house dj. slow clap strips things right down to just drums and bass taking the track into even more raw areas. warehouse vibes! the title track i m here all week on the flip is one of those simple but infectious house tracks that you re going to remember after a night out. once again, our man s synth n bass work duck around those sharply programmed beats he s know for to round off the ep with a bang.

second opus on mad in lyon by the frenchman himself: 69002 ep comes with the same unique motivation, getting the dance-floor rollin! true to the label motto -from thugs to clubs-, this collection of four seriously groovy tunes will keep the party going on those long sweaty nights. vinyl only

this track has been in my computer since a little while when dj sotofett joined me here in amsterdam, to play an epic back to back at the school (amazing new club here). when i am doing a track, it could go to a lot of different directions as im jamming them for hours in my pipe studio. i sometimes could get lost. so i asked sotofett to join me in the studio to help to finish it. then we ended with those 2 versions of cham, which are, as often when i work with the sextags man, the result of live takes almost unedited. we also add some percussions from shadi khries and we recorded two versions of the same track within hours. one being bass driven with a lot of psychedelic noises and the other one more space-techno. our adventures continues, here is another slice of spaced out music.hope you ll enjoy.

keeping with the rough release rate of an album every couple of years, prime numbers label boss trus me is back with his fourth full length, planet 4. featuring nine cuts of intergalactic techno and once again marking a considerable sonic evolution for this acclaimed uk artist. never one to do the same trick twice, david james wolstencroft uses his latest album as a vehicle for his own interest in deep space, physics and dark matter. it is those subjects that have occupied his mind in recent years, and those subjects that inform this brilliantly otherworldly album. where previous lps have variously been funk and soul heavy, or openly analogue and physical, this one is a more subtle and supple techno affair that is as cerebral as it is seductive. starting with a monologue that suggests that man has already landed on mars, 1979 is a cut that immediately places you somewhere in orbit. spooky synths and sci-fi sounds are eerie and atmospheric and very much set a perfect tone. from there, there is slow, elastic and unsettling mood music on the unexplained , deep and insular techno on dark flow and trippy dan bell style minimalism on ring round heart . the second half of the lp touches on chunky dub, manic and melodic grooves. this is a coherent statement that holds together conceptually and musically. as well as providing plenty of dynamite for the more discerning dance floor, planet 4 is also a delightfully detailed affair that will work just as well on headphones late at night.

about a year ago nico stojan and acid pauli met at the studio to record some music. while doing so they discovered their common love for sample based production. so they were basically digging into old vinyls and eventually these three tracks came along. nothing more to say, but enjoy. call of the valley is the first release on the new label ouie: there has been a shift in this tiny piece of massive world and, like all other shifts, they are documented by those who were there. ouie is the label to do just that, created by the people who were there, making those shifts.

what is the new label from tobi neumann and patti ense?
what is a label based in berlin?
what is something between house and techno?
what are those infamous parties from patti?
what....? first release is the tiffany ep by tobi neumann, dewalta, patti ense and joel harmsen
support from nastia, dana ruh, shonky, andre galluzzi, nick curly...

bringing together their eclectic musical background, both individuals behind the recently born artist duo exponent share a vision of a uniting element in dance music, which is much more defined by atmosphere and its demarcation to mainstream music than by simple genre characteristics. sometimes broken, sometimes straight - those three tracks end up with a four-to-the-floor attitude, without intending to. complex and simple at the same time, never letting go of that one hypnotic groove, which keeps us together during those special nights. 22.22. is released on freakadelle, the record label of the same-named cultural npo based in salzburg, austria.

amazing 3 monstruous tracks taken straight from the basement from one of the most original, ultimate & cult house producer : the great marcus mixx !!!all the djs were looking for those for tracks for years. it’s a fuckin’ must have & it’s on your favorite label : skylax !stay underground it pays

ultratheque pays tribute to glasgow s first ever laser disco and the first dancehall that hifi sean frequented as a teenager. soft cell/the grid analogue keyboard maestro dave ball adds his trademark sound on this solid electro groove making it sound like some lost dub from nyc danceteria days dave himself with skull bandits crank up the electroclash vibes on the remix and turn it into a full on dancefloor onslaught like ultratheque itself was back in those laser-tastic days.

following eps for creme organization and w.t. records, art crime delivers a four tracker of meltingly good music on pinkman records. chords cascade, blending and reforming, in the warming wonder of still life , dead carnation is from a similar place. keys skipping down scales, dancing down them as percussion lends a touch of weight. distant is the mood changer. rain falls, smoke whirls and the night descends in this dark and intoxicating encounter. but those clouds part for the close. lush pads and soaring notes break through for calming currents of the less than aptly titled hectic . an artist rewriting stereotypes, an ep of true quality.

powerdance is a collective formed by luke solomon and nick maurer formed as a reaction to bland soul less dance music that seems to infiltrating nightclubs the world over. luke and nicks comradely stems back many many years to their association with the classic music company a label formed by derrick carter and luke. nick maurer was one half of the then prolific greens keepers. this ep for optimo trax features the wigged epically funkoid gem mysterious space plane who doesn t like songs about space? on the other side is the modern hyper jacking more fire. alongside these are a reprise of mysterious space plane and a bonus beats of more fire for those djs who like to, are able to get creative with their mixing

the three tracks travel in many different directions. speaking directly to all the dreamers, the result is a surprising cross-over in which synthesized european music gets injected by imaginary tropical visions. the record is opening with the inner mind percussive ambient « chekema », an animistic incantation that will please all those who see parties as modern ritual gatherings. the jazzy wave of « get enough » cracks open the b-side. it’s a foggy street jam in which the cold cr-68 rhythm balances perfectly with the warm organ chords of the crumar. closing things off is the spectral reggae song “love so high”, a desperate cry from a polar explorer stranded on an iceberg drifting towards the carribean. heartbreaking.

2016 repress , black vinyl
deeply rooted (previously know as deeply rooted house) comes with a strong unpolished 4 track ep with tracks that will get the roof off! another strong look for label with this debut of dax j, for those who have been following dax j and eartoground records know they can expect some outstanding straight forward tracks. function combined with form, deeply rooted in our techno culture since 20 years.

it s fair to say that boris bunnik has made an impact in his short career. in less than a decade this dutch man, under monikers like conforce and versalife, has scaled electro and techno with subtle ambient touches and idm echoes. and that s exactly what he s doing for the singularity ep. lush pads and flowing bars punctuated by crisp percussion, -shine eye- sets the scene. -autobots- adopts those same brittle beats, this time using them to send dreaming strings skyward. northern winds swirl around the colder chords of -milnet-, chords that dawn into absorbing swirls of -transgenics.- masterful machine music.

the third instalment of king street sounds kerri chandler focussed house legends series sees us digging into late 90s territory with the ep kicking off with harder gets higher, a stomping garage groove with dope flourishes of live percussion, typically heavy on those swinging drums and the deepest bassline, all of the trademarks we ve come to expect from the man himself

giant cuts presents. shmlss. shmlss consists of bart and michiel, two young dutch guys who connected with each other through the disco sound they both love. always searching for those rare gems in dark, dusty old record stores, they often come home with the same records. their dj sets are diverse and they have developed a particular sound. disco selectors at 22tracks amsterdam and with releases in the bag for special edition, disco deviance, to rack & ruin, paper disco, because music things are certainly bright for shmlss.

more cut up, heavy dance floor tackle that criss-crosses the boundaries of proto-house and disco from those anonymous edit masters the secret squirrels. tracky as hell and cut loud for impact, the squirrels make no apologies for taking aim directly at the dance floor. no nonsense - devastation guaranteed!

lizards are lee forster (1/3 last waltz) and james hadfield (the mainstay of the elizabeth collective). taking over a full side, and clocking in at over 9 minutes, anthemic understatement is a very difficult trick to pull of, but the deepness of feel here, coupled with the restraint shown in rhythm and melody, allows the track space to ebb, flow and truly get under the skin of the listener. it s one of those rare tracks that are as equally beautiful as they are danceable international track lives up to it s name, seeing the north eastern english producers channel the japanese take on the balearic sound as heard in productions by artists such as cosmes.

pete herbert drops the second release on paradise row - the imprint he and dicky trisco set up to release their own output. mango moon is a very herbertesque number pumped full of musical influences from house to italo to disco, but with an eagle eye at all times on driving the dance floor really wild. pedro demonstrates his years of experience as both a producer and a dj in a track that captures so much of the territory he has covered in both guises over the years. with its pumping live disco underbelly, its melodic italo-style keys riding on top and its rock solid drums, it really is a very classy production by a dj/ producer who knows where he wants to go and how to get us all there at the same time. meanwhile on the flip, his label and dj compadre dicky trisco flips the track in a live disco direction with an epic take of his own that throws more than a few surprises into the mix. dicky teases the dancefloor with a long build up but just wait until those wicked keys by faze action s robin lee drop in! quality stuff, & more great dance floor tackle courtesy of paradise row.

bass culture reach that magnificent milestone of 50 releases with an extra special ep from someone who has become part of labels inner circle, the infallible mr g. set up in 2009 by paris stalwart djulz, bass culture records has maintained a consistently high level of music, crossing from techno into house and back again, always with a focus on quality over quantity. mr g delivers two special gems from his arsenal of weaponary to mark the 50th bsss culture release. the first, * transient* sees mr g in contemplative mood, taking a studied approach with this deep, soulful cut. softened pads are drizzled over a punchy low end, with tough, crisp beats supporting a stirring vocal which urges everybody to get up on their feet. the nineties organ lick gives it an almost sorrowful feel, and those pads continue to takes us up to the skies. a beauty. on the flip, * crumple zone* goes straight for the jugular with a driving b-line, alarming stabs and finger-clicking percussion to get that head nodding. combined with garbled, hypnotic vocal clips, its a mesmerising, eyes down cut for the late night heads. towards the latter part of the track, a naughty riff comes in and adds another layer of sleaze to proceedings. and there you have it, mr g proves yet again why he is such a all-round don and bass culture celebrates 50 releases with panache.

ltd repress, * thats what friends are for* showcases adesses touch for building tension. think back to those twelves from the dons of dancefloor drama - ron trent, carl craig, dj duke and murk - music built for a world where the lights dont come back on.

with releases on rush hour, mister saturday night and delusions of grandeur, nebraska is a man who needs little introduction. here, he delivers and amazing ep for heist, showcasing his talent for finding those catchy, but hard to pin-down samples. the soften the wireless ep navigates nicely between disco and house with 4 originals and an amazing tom noble remix. khans bargain will be the go to track the more disco minded listeners out there, with a catchy-as-hell synth line that you wish youd made up yourself. the remix, courtesy of nycs finest disco selector tom noble, goes on a clubbier path, turning the silky smooth original into a distorted house jam full of delays and filtered drums. the b-side sees nebraska turning towards the housier side of things himself, with the blues as a perfect example of minimalistic house. here, he uses only a small amount of elements to create an intoxicating and intense groove. it wont be long breezes through with a lighthearted arpeggio and some lovely dreamy vocals to set a more emotional vibe. ep closing track (digi only) varkala is somewhat of a special track, being dug up from an old hard disc and remastered for your listening pleasure. sincerely yours, lars & maarten

next token output! tip!

in our brand new 12” vinyl release axel karakasis has produced the mouth-watering hashtag ep, for all those vinyl and techno lovers out there to enjoy a wild time on the dancefloor.
on the main side, the title track opens up in a bass-heavy, thumping tempo mode that evolves into a magnificent mixture of insane synth samples. the result is so refreshing and upbeat that you cannot get enough of it! happy monday completes the sequence on the side: the track provides an ultra-rhythmic counterpart with layers of textured presets and a voice sample that strikes out!
on the remain side, spillover is a rolling monster, with a highly contagious, utter rhythmic grooviness that is simply irresistible. ample percussion and hats accommodate retro synths and reverberating keys that cut through the track to give way to a solid techno workout that is exquisite.

shipwrec rolls out its new remix series with a serious slab of electro red meat. the main course is served by a machine music master, umwelt. and what else would the serving be but the rawest of electro, coarsened by surging acid and slicing snares. accompanying the original are a triumvirate of talent. ekman is first, ratcheting up those sticky 303 lines whilst adding his own mischief and menace for a mind-bending mix. comes in a printed sleeve with artwork by mehdi rouchiche. limited to 200 coloured copies.

back to jack a new label from a couple of old school jocks with a passion for the sound of a 303. the first release by phazon aka lee coombs, the new outlet for all things acid and underground. special attention is given to this early authentic sound and is produced using original hardware and production techniques. authentic house music with an old school vibe. freqbox mechanical 909 drums and juno chord stabs move into 303 riff s and back out again. lying somewhere between detroit and chicago this is the sound of phazon. d minor experiments acid mix a true tb-303 workout that builds and builds and then builds some more. an acid house experience inspired by all the originators of the sound. this ain t london jackin acid with funk. 707 drums and layers of tb-303s with chopped up this ain t london vocals make this sound like mid to late 80s all over again. d minor experiments drums mix, 707 drum track for those who like to mix it up.